In section d we consider the importance of 'point of view' in perspective.įinally, in section e we discuss some of the ways in which paintings can resist strict linear perspective. In section c we consider the techniques of 'empirical perspective'. In section b we then discuss the notion of aerial perspective. We begin in section a by considering linear perspective. Whereas unit 4 will consider the notion of 'modelling', this unit discusses perspective. Units A3 and A4 will discuss some of the major ways in which paintings convey depth, representing three-dimensional objects and spaces on a flat surface. Centre for the History of Ibero-America.Centre for Endangered Languages, Cultures, and Ecosystems (CELCE).LivItaly: Bringing Italian Culture to Yorkshire.Network for Hispanic and Lusophone Cultural Studies.The Mendicant Orders and Literature in 13th- & 14th-century Italy.International Writers at Leeds Launch Event.Institut Ramon Llull (Catalan Language and Culture).Past visiting researchers and lecturers.Centre for World Cinemas and Digital Cultures.The Camões Centre for Portuguese Language.

Horizon line definition in art